A well-meaning father buys a vintage doll for his young daughter’s—only to unleash an ancient demonic force. As his daughter’s behaviour grows more disturbing, he must confront a nightmare he refuses to believe is real… until it’s nearly too late.
Ted Morgan – A logical, down-to-earth father whose deep skepticism blinds him to the supernatural horror invading his home. His journey is one from denial to desperate belief.
Lori Morgan – Emily’s mother. Sensitive and intuitive, Lori is the first to sense the danger—but struggles to convince Ted that their family is under threat from something truly evil.
Emily Morgan – A sweet, imaginative 7-year-old girl. Her innocent bond with the doll turns into a disturbing connection, making her the perfect host for something far more sinister.
The Doll – Antique. Porcelain. Perfectly preserved. But it houses something ancient and infernal—an entity that feeds on innocence, fear, and disbelief.
The cost of disbelief in the face of horror
Parental fear and the loss of control
The clash between reason and the unexplainable
Evil disguised in beauty and innocence
Unnerving, intimate horror grounded in psychological realism
Think Annabelle meets The Babadook, with the emotional depth of Hereditary
Cinematic use of silence, minimal score, shadow, and sound design
Slow-burning dread with shocking payoffs rooted in emotional stakes
A modern family home slowly overtaken by supernatural influence.
Light fades. Walls feel closer. Rooms echo with invisible voices.
The doll is ever-present—watching, waiting, whispering.
Ages 18–45
Horror fans who prefer suspense and psychological terror over gore
Viewers who loved The Conjuring, The Possession, The Prodigy, and Lights Out
Streaming platform audiences (Shudder, Netflix, Hulu, Prime)
Diabolical is an atmospheric, performance-driven horror film where emotional tension builds alongside supernatural threat. It’s about how disbelief becomes dangerous, and how evil exploits the very things we love most.
Designed for a low-budget, high-yield horror model, with minimal cast and a single primary location, this project prioritizes suspense, dread, and emotional payoff over expensive effects.
Annabelle (2014)
The Babadook (2014)
The Possession (2012)
Lights Out (2016)
The Prodigy (2019)
3 principal characters
1 main location
No VFX-heavy sequences—uses practical effects, lighting, and sound
Ideal for an independent horror film budget
Strong streaming and festival potential
Screenplay: Completed
Budget: Low to mid-tier indie
Seeking: financing, and distribution partners
For script access, collaboration, or investment:
UKW Studios Limited
[email protected]
+44 (0)871 315 9397